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As most amate paper is sold as the backing for these paintings, many consumers assume the Nahua produce the paper as well. [54] The amate paper paintings are a combination of Nahua and Otomi traditions. The Otomi produce the paper, and the Nahua have transferred and adapted painting traditions associated with ceramics to the paper.
For most of his life, Salazar has been working as a farmer, painter, and teacher. His primary medium is papel amate, a folk craft tradition that the Nahuatls have used for over two millennia. [1] The painting style takes its name from the medium that is used – “papel amate”, paper that is made from the bark of the ficus tree. [2]
Amate paper wall hanging from San Pablito. Amate paper is made in the small village of San Pablito, Pahuatlan in the Sierra Norte de Puebla. The paper dates from the pre Hispanic era, when the Aztecs used it for codices and ritual use. The making of the paper survived in this remote area for ritual purposes, making cut-out figures. [6]
Examples of amate paper wall hangings at the gallery-museum of the town. While amate is produced in small quantities elsewhere in Mexico, [25] San Pablito is the only commercial producer of the paper and its manufacture is now the main economic activity. [18] [26] About 6,000 Otomis in and around San Pablito manufacture the paper full- or part ...
Art was expressed on a variety of mediums such as ceramics, amate paper and architecture. [7] Most of what is known of Mesoamerican art comes from works that cover stone buildings and pottery, mostly paintings and reliefs. [ 6 ]
The main handcrafts store is the Casa del Amate (House of Amate Paper) located on the main road heading towards the town center. In addition to selling the local paper, it also sells embroidered items and paintings. [5] It was the workshop of painter Rafael Lechuga, whose art depicts the area and the local amate paper. [3]
Juan Gerson's religious paintings in the Franciscan church of Tecamachalco, Puebla, 1562. Juan Gerson (active c. 1562) was a high status indigenous Nahua painter, named after the French theologian Jean Gerson, working in Tecamachalco, Puebla. Not until 1962 when a group of Mexican scholars found documentation to his high status indigenous ...
Votive painting dedicated to Our Lady of San Juan de los Lagos 1911 painting; the man survived an attack by a bull.. Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively.
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