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John Finley Scott [1] described internalization as a metaphor in which something (i.e. an idea, concept, action) moves from outside the mind or personality to a place inside of it. [2]
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
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The essay was based on a lecture that Poe gave in Providence, Rhode Island at the Franklin Lyceum.The lecture reportedly drew an audience of 2,000 people. [2]Some Poe scholars have suggested that "The Poetic Principle" was inspired in part by the critical failure of his two early poems "Al Aaraaf" and "Tamerlane", after which he never wrote another long poem.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
An example in literature is the character of Touchstone in Shakespeare's As You Like It, described as "a wise fool who acts as a kind of guide or point of reference throughout the play, putting everyone, including himself, to the comic test". [3] Dante's "In la sua volontade è nostra pace" ("In his will is our peace"; Paradiso, III.85) [4]
The reason the simple refutation does not work is because there is a distinction between expressions and "their vehicles of articulation." [8] Writing in The Oxford Handbook of Aesthetics, Alex Neill argues that poems can be paraphrased. The meaning of a poem is often at least partially contained in the "thoughts it articulates," which can be ...
The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. [11] The troubadors , travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries.