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Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [ 3 ] including the F-5 model mandolin and L-5 guitar .
The famous Lloyd Loar Master Model from Gibson (1923) was designed to boost the flagging interest in mandolin ensembles, with little success. However, the "Loar" became the defining instrument of bluegrass music when Bill Monroe purchased F-5 S/N 73987 [25] in a Florida barbershop in 1943 and popularized it as his main instrument.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
Vivi-Tone was a musical instrument company formed in partnership by former instrument designer for Gibson Guitar Corporation, Lloyd Loar, Lewis A. Williams, and Walter Moon. The company was incorporated in Kalamazoo, Michigan on November 1, 1933, with executive offices in Detroit . [ 1 ]
Loar designed the flagship L-5 archtop guitar and the Gibson F-5 mandolin that was introduced in 1922, before leaving the company in 1924. [21] In 1936, Gibson introduced its first "Electric Spanish" model, the ES-150 , followed by other electric instruments like steel guitars , banjos and mandolins .
Joseph Brent with a 1924 Gibson F5 Mandolin (one made by Lloyd Loar). The Lloyd Loar mandolins are popular because early Bluegrass musician, Bill Monroe, used one to get his distinctive sound. Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.
Among the changes that Loar introduced was the f-hole instead of a round or oval sound-hole, another violin-family feature imported to the mandolin. [5] The mandolins are treasured by bluegrass musicians, but produce opposite feelings of admiration or contempt among the classical musicians they were designed for.
Marshall is a virtuoso on the mandolin. He plays a 1924 Gibson F-5 mandolin signed by Lloyd Loar. [2] He helped start the Modern Mandolin Quartet. [citation needed] He collaborated with mandolinist Chris Thile on Into the Cauldron in 2003. [1] His wife, Caterina Lichtenberg, is a German classical mandolinist.
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