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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
It can be useful for flower identification or comparison between angiosperm taxa. Paleontologists can take advantage of diagrams for reconstruction of fossil flowers. Floral diagrams are also of didactic value. [1]: xiii Relation of a plant material (Campanula medium) to the floral diagram. Black dashed line shows the cross-section. 1 ...
There are many perfectly identifiable flowers in books like The Book of Hours [11] (two volumes) by the Master of Flowers (Maître-aux-fleurs, 15th century) or Jean Bourdichon's Grandes Heures of Anne of Brittany (between 1503 and 1508), with 337 plants from the Queen's garden, captioned in Latin and French. These artists' objective was, though ...
Eugène Séguy (1934) Eugène Séguy (21 April 1890 – 1 June 1985) was a French entomologist and artist who specialised in Diptera.He held a chair of entomology at the Muséum national d'histoire naturelle in Paris from 1956 to 1960.
A group of flowers in a jar and a bird's nest, copy of the painting by Margaret Meen, copied by Princess Elizabeth. The daughter of Henry and Sarah Meen, Margaret was born in Bungay, [2] Suffolk or more likely in Harleston, Norfolk, where she was baptised in December 1751. [3] She moved to London to teach drawing flowers and insects in 1770. [4]
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
Unable to pay for models to pose for portraits, Van Gogh threw himself heartily into painting still lifes of flowers, "red poppies, blue corn flowers and myosotis, white and red roses, yellow chrysanthemums." [45] Bowl with Sunflowers, Roses and Other Flowers, 1886, Kunsthalle Mannheim, Mannheim, Germany (F250)
In a continuous-line drawing, the artist looks both at the subject and the paper, moving the medium over the paper, and creating a silhouette of the object. Like blind contour drawing, contour drawing is an artful experience that relies more on sensation than perception; it's important to be guided by instinct. [2]