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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Elgar was insistent that the first entrance of this new subject be played religiously pianissimo without sacrificing the expression dictated. This subject is formed from the repetition of a two-bar theme through a sequence that builds from pianissimo to fortissimo. This then gives way to a slow, soft cello theme at rehearsal 11, featuring a ...
Strong-gentle (i.e. 1. loud, then immediately soft) (see dynamics), or 2. an early pianoforte. fortissimo (ff) Very loud (see note at Pianissimo) fortississimo (fff) As loud as possible. front of house (FOH) The speaker system which faces the audience (and the sound engineers who control it). four on the floor
flexible [7] focoso or fuocoso Fiery (i.e. passionate) forte (f) Strong (i.e. to be played or sung loudly) forte-piano (fp) Strong-gentle (i.e. loud, then immediately soft; see dynamics) fortepiano An early pianoforte fortissimo (ff) Very loud (see note at pianissimo) fortississimo (fff) As loud as possible forza Musical force; con forza: with ...
This is followed by a pianissimo restart in B ♭ (m. 73), which is when the A theme is heard again, leading to a full fortissimo statement in the tonic key of E ♭ (m. 93). Later, a downward arpeggio motif with sforzandos on the second beat is played twice in unison, first by the strings (mm. 115–119) and then by the full orchestra (mm. 123 ...
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The piece then builds to a fortissimo with a canon of the first primary theme in the trumpets and trombones that is taken up by the whole orchestra. The excitement decays to pianissimo for what appears to be a peaceful conclusion, until a unison fortissimo statement of the second secondary theme closes the movement.
Following a broken-chords section filled with harmony changes, the main theme is restated in D major (pianissimo), the supertonic key of C major. Then a fortissimo and Beethoven's very common syncopations appear in the music giving a rhythm, this continues on to the resolution.