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In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
Queen Victoria and the Prince Consort at home, 1841. Her dress shows the fashionable silhouette, with its pointed waist, sloping shoulder, and bell-shaped skirt. 1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s ...
Engageantes, which were usually made of lace, linen, or lawn, with cambric and broderie anglaise, were worn under the sleeves. They were easy to remove, launder and restitch into position, so to act as false sleeves, which was tacked to the elbow-length sleeves during the time. They commonly appear under the bell-shaped sleeves of day dresses.
Anne of Brittany, Queen of France, and her ladies wear round hoods over linen caps.Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508.
Sleeves were bell- or trumpet-shaped, and caught up at the elbow to show the frilled or lace-trimmed sleeves of the shift beneath. Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called engageantes were tacked to the shift sleeves, in a fashion that would persist into the 1770s.
The Duke of Buckingham wears a wired collar with lace trim and a slashed doublet and sleeves. His hair falls in loose curls to his collar, c. 1625. Linen shirts had deep cuffs. Shirt sleeves became fuller throughout the period. To the 1620s, a collar wired to stick out horizontally, called a whisk, was popular.
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