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Shout at the Devil is a 1976 British war adventure film directed by Peter R. Hunt and starring Lee Marvin and Roger Moore.The film, set in Zanzibar and German East Africa in 1913–1914, is based on a novel by Wilbur Smith which is very loosely inspired by real events (see the sinking of the SMS Königsberg). [4]
A Falcon Flies is a novel by Wilbur Smith.It was the first in a series of books known as The Ballantyne Novels. [1]The Rhodesian Bush War of the 1970s inspired Smith to research and write a book set in historical Rhodesia.
Her film credits include Psychomania (1973), The Belstone Fox (1973), Shout at the Devil (1976) and Inseminoid (1981). [2] On television, she has been seen in the following series: Arthur of the Britons, Survivors, Return of the Saint, Blake's 7, The Inheritors, Emmerdale, Holby City, Casualty, The Bill, Midsomer Murders and Broken. Wright is ...
Men of Men by Wilbur Smith is a story of greed, exploration, adventure and love. It is a gripping saga at the time of Rhodes's acquisition of what would become Rhodesia following the lives of the Ballantyne men, specifically Zouga Ballantyne and his two sons Ralph and Jordan who have the unrelenting desire to conquer the wilds of the hinterlands of South Africa.
A Time to Die is a 1989 novel by Wilbur Smith. [1] Set in 1987, it is chronologically the last of the 13 Courtney Novels.Smith did not regard it strictly as a Courtney novel, however, claiming "it's just got a Courtney name in it.
The opening sequence in live action shows Gulliver announcing his intention to go to sea as a ship's surgeon, followed by scenes of a shipwreck.
"Shout" is a song by English pop rock band Tears for Fears, released as the second single from their second studio album, Songs from the Big Chair (1985), on 23 November 1984. [1] Roland Orzabal is the lead singer on the track, and he described it as "a simple song about protest". [ 5 ]
"Shout at the Devil" is a song by American heavy metal band Mötley Crüe. Written by bassist Nikki Sixx, the song is the title track of their album of the same name. The song charted at No. 30 on the U.S. Mainstream Rock chart. The song has been described as a heavy, riff-driven rocker with a dark tone. [1]
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