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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
The 32-bar AABA form is typical of popular songs of the time. [3] The "A" section uses conventional chord progressions including ii–V–I turnarounds in the home key of D flat, however the bridge is highly unusual in its tonal center shifts.
Ignoring the seldom recorded verse, "Moonglow" is a 32-bar tune in the form of AABA. "Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1]
"Easy Living" is a jazz standard written by Ralph Rainger with lyrics by Leo Robin for the 1937 film Easy Living [1] [2] A popular recording of the song was released in 1937 by Teddy Wilson for Brunswick Records , [ 1 ] featuring Billie Holiday , Benny Goodman , and Lester Young .
"Afternoon in Paris" is a 1949 jazz standard.It was written by John Lewis. [1]"Afternoon in Paris" has a 32-bar AABA form and is usually played in the key of C major.In several of the song's phrases, the tonal center changes (when played in C, there is a shift to B ♭ and A ♭), defining a complex harmonic structure that is of interest to both theoreticians and soloists.
Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure). [2] Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists; [3] in the key of C, the song's melody extends from G below middle C to the second D above middle C.
Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast.