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Effigy vessel is a term used in the archeology of (mainly) Pre-Columbian America for ceramic or stone containers, pots, vases, cups, etc., in the shape of an animal or human. In the past, criminals sentenced to death in absentia might be officially executed "in effigy" as a symbolic act.
The stirrup-spout vessel continued to be the most common form of clay vessel, but Moche artists also created bowls, dippers, jars with long necks, spout-and-handle vessels, and double-chambered vessels that whistled when liquid was poured. Vessels were often effigies portraying elaborate scenes.
Mississippian vessels generally have thinner vessel walls, obvious white flecks of shell temper, and round-bottomed pottery forms. For decades archeologists have examined, sorted, described and stored Woodland sherds from those of Mississippian vessels with relative ease.
A particular type of late medieval effigy was the transi, or cadaver monument, in which the effigy is in the macabre form of a decomposing corpse, or such a figure lies on a lower level, beneath a more conventional effigy. Mourning or weeping figures, known as pleurants were added to important tombs below the effigy. Non-recumbent types of ...
The Moche Crawling Feline is a specific stirrup spout vessel dating from 100—800 CE. This Moche ceramic effigy is currently in the collection of Larco Museum, in Lima, Peru. It comes from the North Coast of Peru. It represents a zoomorphic character: a lunar dog, or a crawling feline.
Chimú Stirrup Vessel, between 1100 and 1550. The Walters Art Museum. A stirrup spout vessel (so called because of its resemblance to a stirrup) is a type of ceramic vessel common among several Pre-Columbian cultures of South America beginning in the early 2nd millennium BCE. [1] These cultures included the Chavin and the Moche.
However, the Covid-19 pandemic in part spurred record migration across the Western Hemisphere, meaning that more people were journeying to the United States’ southern border from multiple countries.
Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an ...