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A reference to a deity who was worshipped at that mountain peak and, biblically, was the subject of the heresy of Peor. The deity, worshipped by the Moabites, is biblically referred to as Baal-peor (Num. 25:3,5, 18) and as the "house of peor" (בית פעור) (Deuteronomy 3:29), generally meaning the Baal of Peor.
Belphegor (or Baal Peor, Hebrew: בַּעַל-פְּעוֹר baʿal-pəʿōr – “Lord of the Gap”) is, in the Abrahamic religions, a demon associated with one of the seven deadly sins. According to religious tradition, he helps people make discoveries. He seduces people by proposing incredible inventions that will make them rich.
It is thus unclear whether the false worship of the "Baʿalim" being decried [75] is the worship of a new idol or rites and teachings placing Yahweh as a mere local god within a larger pantheon. The Hebrew Scriptures record the worship of Baʿal threatening Israel from the time of the Judges until the monarchy. [79]
Articles relating to Baal, a title and honorific meaning "owner," "lord" in the Northwest Semitic languages spoken in the Levant during antiquity. From its use among people, it came to be applied to gods. The title is particularly associated with the storm and fertility god Hadad.
According to Yehezkel Kaufmann, "Baal-berith and El-berith of Judges 9:4,46 is presumably YHWH", as "ba'al was an epithet of YHWH in earlier times". [ 4 ] Elsewhere, some of the Shechemites are called "men of Hamor"; [ 5 ] this is compared to "sons of Hamor", which in the ancient Middle East referred to people who had entered into a covenant ...
The music of the Bauls, Baul Sangeet, is a particular type of folk song. Their music represents a long heritage of preaching mysticism through songs in Bengal. Bauls pour out their feelings in their songs but never bother to write them down. Theirs is essentially an oral tradition.
The work was commissioned for the 1965 Southern Cathedrals Festival at Chichester Cathedral by the cathedral's Dean, Walter Hussey. [2] However, the world premiere took place in the Philharmonic Hall, New York, on 15 July 1965 with the composer conducting, followed by the performance at Chichester on July 31, 1965, conducted by the cathedral's Organist and Master of the Choristers, John Birch.
Zalman is a Yiddish variant of Solomon and Shneur (or Shne'or) is a Yiddish composite of the two Hebrew words "shnei ohr" (שני אור "two lights").. He is also known as Shneur Zalman Baruchovitch, using the Russian patronymic of his father Baruch, [1] and by a variety of other titles and acronyms including "Baal HaTanya VeHaShulchan Aruch'" ("Author of the Tanya and the Shulchan Aruch ...
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