Search results
Results from the WOW.Com Content Network
The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia Press University, New York. Kaminsky, Peter (1996). "How to Do things with Words and Music: Towards an Analysis of Selected ensembles in Mozart's Don Giovanni." Theory and Practice; Noske, F[rits] R[udolf] [in Dutch] (1970). "Don Giovanni: Musical Affinities and Dramatic ...
Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera Don Giovanni. It is often performed in recitals and featured in anthologies of music for tenor. [1]
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
Don Giovanni The role was created by Antonio Baglioni [Wikidata], [4] who sang Don Ottavio in the premiere of Mozart's opera. Pasquariello, Don Giovanni's manservant ; The Commendatore (bass) Donna Anna, the Commendatore's daughter ; Duca Ottavio, Donna Anna's fiancé (tenor) Donna Elvira, a former lover of Don Giovanni (soprano)
On Saturday (June 28), she'll make her Santa Fe Opera debut in the role of Donna Anna in "Don Giovanni." Premiered in Prague in 1787, the opera is based on the legend of Don Juan, a notorious ...
For instance, it was performed as Le nozze di Dorina, with inserted arias by Giovanni Battista Viotti, for the opening of the Théâtre de Monsieur in Paris on 6 January 1791. [3] [4] The work also used music composed by Pasquale Anfossi, Antonio Salieri, and Stephen Storace in addition to the composer himself.
When Ivo van Hove first discussed his “very dark” vision of Mozart’s “Don Giovanni” with his cast at the Metropolitan Opera, the leading man had doubts.
"Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“).