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This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
The term "immanent Trinity" focuses on who God is; the term "economic Trinity" focuses on what God does. According to the Catechism of the Catholic Church, The Fathers of the Church distinguish between theology (theologia) and economy (oikonomia). "Theology" refers to the mystery of God's inmost life within the Blessed Trinity and "economy" to ...
The symbol has been interpreted as representing the Holy Trinity, especially since the Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts [who?] warn against over-interpretation. [2] It is, however, regularly used as a Trinitarian symbol in contemporary Catholic iconography.
Where this is done with fingers joined, there are two principal forms: one—three fingers (to represent the Trinity), [3] right to left—is exclusively used by the Eastern Orthodox Church, the Church of the East, Eastern Lutheran Churches and the Eastern Catholic Churches in the Byzantine and Syriac Christian traditions; the other—left to ...
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
Gothic triskele window element. Perichoresis (from Greek: περιχώρησις perikhōrēsis, "rotation") [1] is the relationship of the three persons of the triune God (Father, Son, and Holy Spirit) to one another.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
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