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"Savior" was released on June 3, 2009, as the third and final single from Rise Against's fifth album Appeal to Reason. [5] It remains one of the band's most successful singles to date, and spent a considerable amount of time on multiple Billboard music charts.
File:Rise Against Savior.ogg; File:Rise Against The Art of Losing.ogg ... File:Swing Life Away audio sample.ogg This page was last edited on 2 February 2023, at 22:30 ...
Rise Against is known for their outspoken social commentary, which often permeates their lyrics. [173] Throughout the years, the band has discussed a wide range of topics, including animal rights , economic injustice, environmental disasters , forced displacement , homophobia , and modern warfare.
Rise Against The Eco-Terrorist In Me 7" 2015 [22] "Alive and Well" Rise Against The Unraveling: 2001 [21] "Amber Changing" Rise Against Revolutions per Minute: 2003 [23] "Any Way You Want It" ‡ Steve Perry Neal Schon: Revolutions per Minute: 2003 [24] "Anywhere But Here" Rise Against Siren Song of the Counter Culture: 2004 [25] " The ...
The Ghost Note Symphonies, Vol. 1 is a compilation album by American rock band Rise Against.It was released on July 27, 2018. [4] The album features reimagined versions of previously released Rise Against songs, with acoustic orchestration and alternative instrumentation.
Rise Against switched to Geffen Records the following year, and made its major record label debut with Siren Song of the Counter Culture. In addition to becoming the band's first album to reach the Billboard 200, where it peaked at number 136, the success of the singles "Give It All" and "Swing Life Away" helped Rise Against achieve mainstream ...
Savior (Rise Against song) Swing Life Away; T. Tragedy + Time; W. Wait for Me (Rise Against song) This page was last edited on 17 October 2022, at 11:05 (UTC). ...
Appeal to Reason is the fifth studio album by American punk rock band Rise Against.It was released on October 7, 2008. A melodic hardcore album, Appeal to Reason marked a musical shift from the gritty hardcore punk sound that had previously defined the band's career to what some have viewed as a more radio-friendly sound, with greater emphasis on production and bigger, more anthemic choruses.