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Figure from the 1804 edition of Della picture showing the vanishing point Rendition of Alberti's description of how a circle projected as an ellipse Figure showing pillars in perspective on a grid. De pictura (English: "On Painting") is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version ...
Italian humanist polymath and architect Leon Battista Alberti first introduced the concept in his treatise on perspective in art, De pictura, written in 1435. [2] Straight railroad tracks are a familiar modern example. [3]
Leon Battista Alberti (Italian: [leˈom batˈtista alˈbɛrti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
A history of the perspective scene from the Renaissance to the Baroque (Florence 2000) A voyage into baroque spectacle. The Gallery in the Palazzo Spada (Rome 2001) The New De Pictura of Leon Battista Alberti (Rome 2006) The Vitruvian Man of Leonardo (Florence, 2006) Leonardo and the Divine Proportion (Florence, 2007) Leon Battista Alberti. On ...
This book covers a wide span of mathematical history, from 1435 to 1800, and a wide field of "around 250 publications by more than 200 authors". [1] After three introductory chapters on the beginnings of perspective with the works of Leon Battista Alberti, Piero della Francesca, Leonardo da Vinci, and others from their time, the remainder of the book is organized geographically rather than ...
Birth name: Leon Battista degli Alberti; Leon Batista Alberti; L. B. Alberti; Leo Baptista Alberti; Lepidus; Leo-Battista degli Alberti; Leone Battista Alberti Description Italian philosopher, linguist, cryptographer, poet, architect and architectural theoretician
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The first written description of scenic painting as an art form is from the Italian Renaissance, when Leon Battista Alberti examined Greek stage painting and decoration in the time of Aeschylus. [1] During and after the Renaissance, the ability to draw in perspective became core to painting for the stage. [1]