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"Majesty" is a hip hop song that "sinks under dated piano chords, melodramatic string swells and a grating vocal hook." [ 8 ] [ 6 ] Minaj's recording engineer Big Juice explained the making of the song saying, "When we heard the piano part, we were like, 'oh, that's a pretty cool beat.'
A music video was released for the song, directed by Trey Fanjoy. The video features Lambert singing in a town square in Lebanon, Tennessee mixed with scenes from Shelbyville, Tennessee. The video's depicts people's everyday lives in a small town, including a diner and high school; all of these scenes are shot in black and white.
This TikToker went on a spectacular tirade over the crazy cost of car insurance, rent and groceries — how to calm your spending as inflation bites Bethan Moorcraft January 23, 2024 at 4:00 AM
YouTube Music is a music streaming service developed by the American video platform YouTube, a subsidiary of Google. The service is designed with a user interface that allows users to explore songs and music videos on YouTube -based genres, playlists, and recommendations.
The CPI Indexfor October reflected a 7.7% increase over last year and 0.4% increase over the prior month. Excluding food and energy prices, the CPI rose 6.3% over the past 12 months.
It’s just crazy!” he says in the clip, which has received over 670,000 views, 32,000 likes and nearly 6,000 comments. Don’t miss Commercial real estate has outperformed the S&P 500 over 25 ...
An accompanying black and white music video was uploaded to 4Minute's YouTube channel simultaneously with the single release, and features moving camera-angle shots of the group performing constant choreography to the song. 4Minute promoted "Crazy" with televised live performances on various South Korean music programs, including M!
Crazy Rhythm was frequently used as the closing music for BBC's humorous The Goon Show, performed live by Max Geldray or Ray Ellington, and is commonly associated with the show. Another notable recording of the song is on 1961's Further Definitions, by Benny Carter with Coleman Hawkins. This is one of Carter's most acclaimed recordings. [7] [8]