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The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.
Thus, when Arabic music is written in European musical notation, a slashed or reversed flat sign is used to indicate a quarter-tone flat, a standard flat symbol for a half-tone flat, and a flat sign combined with a slashed or reversed flat sign for a three-quarter-tone flat, sharp with one vertical line for quarter sharps, standard sharp symbol ...
Quarter tone scale, or 24 tone equal temperament; A seventeen tone unequal tuning that was historically used to describe Arabic music; Major locrian scale, a scale similar to locrian, also the aeolian mode with ♭ 5th and ♯ 3rd, Phrygian dominant scale with ♭ 5th and ♯ 2nd, or Blues Leading-Tone scale with ♭ 6th and ♯ tonic.
Composer Charles Ives chose the chord C–D –F–G –B ♭ as good possibility for a "secondary" chord in the quarter-tone scale, akin to the minor chord of traditional tonality. He considered that it may be built upon any degree of the quarter tone scale [4] Here is the secondary "minor" and its "first inversion":
The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.
Alexander J. Ellis refers to a tuning of seventeen tones based on perfect fourths and fifths as the Arabic scale. [2] In the thirteenth century, Middle-Eastern musician Safi al-Din Urmawi developed a theoretical system of seventeen tones to describe Arabic and Persian music, although the tones were not equally spaced.
Arabic maqamat are based on a musical scale of 7 notes that repeats at the octave. Some maqamat have 2 or more alternative scales (e.g. Rast, Nahawand and Hijaz). Maqam scales in traditional Arabic music are microtonal, not based on a twelve-tone equal-tempered musical tuning system, as is the case in modern Western music.
Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites. Tab may be given as the only notation (as with chord tab in songbooks that only include lyrics and chords), or, as with guitar solo transcriptions, tab and standard notation may be ...