Search results
Results from the WOW.Com Content Network
The poem is one of Lovelace's best-known works, and its final stanza's first line "Stone walls do not a prison make, Nor iron bars a cage" is often quoted. Lovelace wrote the poem while imprisoned in Gatehouse Prison adjoining Westminster Abbey due to his effort to have the Clergy Act 1640 annulled.
In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where ...
One man's trash is another man's treasure; One might as well be hanged for a sheep as a lamb; One might as well throw water into the sea as to do a kindness to rogues; One law for the rich and another for the poor; Opportunity does not knock until you build a door; One swallow does not make a summer; One who believes in Sword, dies by the Sword
The line translates: "It is sweet and proper to die for one's country." The Latin word patria (homeland), literally meaning the country of one's fathers (in Latin, patres) or ancestors, is the source of the French word for a country, patrie, and of the English word "patriot" (one who loves their country).
Elizabeth Payson Prentiss (October 26, 1818 – August 13, 1878) was an American author, well known for her hymn "More Love to Thee, O Christ" and the religious novel Stepping Heavenward (1869). Her writings enjoyed renewed popularity in the late 20th century.
It shows two contrary types of love. The poem is written in three stanzas. [2] The first stanza is the clod's view that love should be unselfish. The soft view of love is represented by this soft clod of clay, and represents the innocent state of the soul, and a childlike view of the world. [2] The second stanza connects the clod and the pebble.
I Shall Not Be Moved is Maya Angelou's fifth volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of seven, as recounted in her first autobiography I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
He was struck by her unusual beauty, and the next morning the poem was written. [3] It is thought that she was the first inspiration for his unfinished epic poem about Goethe, a personal hero of his. In this unpublished work, which Byron referred to in his letters as his magnum opus, he switches the gender of Goethe and gives him the same ...