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The ballet was variously titled Music for J.R., Music for a Ballet, The Dream and Ballet in Seven Movements before Copland settled upon Dance Panels: Ballet in Seven Sections. [3] [6] The idea for the final title, Copland said, was from the ballet being in seven continuous sections, "like the panels on a screen." [6]
Easy to Dance With is a studio album by American dancer and singer Fred Astaire, released in 1959 on Verve Records. [1] Billboard reviewed the album and rated it four stars out of four, writing: "Astaire renders a flock of tunes from movies and shows in his relaxed, inimitable fashion. Five ot the tunes were cleffed by the dancer himself.
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
Easy Street is in thirty-two bar form [4] [5] and includes a melody that moves the title line to different pitches whenever it recurs in a phrase. [4] [1] The song is usually played with a slow, slightly swinging melody. [1]
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
"Easy" is a song by British girl group Sugababes, released as the lead single from their greatest hits album Overloaded: The Singles Collection (2006). Development of "Easy" began when the American rock band Orson discovered that the Sugababes were working on a new album , in which they proposed ideas for new tracks.
"Easy" is a song written by Katrina Elam and Michael Mobley and recorded by the American country music group Rascal Flatts as a duet with British pop singer Natasha Bedingfield. It was released in June 2011 as the third and final single from Rascal Flatts' album Nothing Like This. It became Rascal Flatts' fifth AC Top 20 hit.
These works were heavily influenced by Bartók's fascination with folk music and by his admiration to Claude Debussy, who had, by then, made a name for himself. [ 1 ] Whereas Fourteen Bagatelles is decidedly more difficult for young pianists, this set was planned to serve as an easy contemporary preparation for students.