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Alice Dunbar Nelson (July 19, 1875 – September 18, 1935) was an American poet, journalist, and political activist. Among the first generation of African Americans born free in the Southern United States after the end of the American Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance.
The ninth book in the series, The Carnivorous Carnival, takes place at Caligari Carnival; the carnival's name is a nod to the 1920 silent horror film The Cabinet of Dr. Caligari. [27] Also in the ninth book, Hugo the Hunchback's name is an allusion to French author Victor Hugo , who wrote the famous book The Hunchback of Notre Dame .
The Fight Between Carnival and Lent, by Pieter Bruegel the Elder (1559) The Carnivalesque is a literary mode that subverts and liberates the assumptions of the dominant style or atmosphere through humor and chaos. It originated as "carnival" in Mikhail Bakhtin's Problems of Dostoevsky's Poetics and was further developed in Rabelais and His ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Mikhail Mikhailovich Bakhtin (/ b ʌ x ˈ t iː n / bukh-TEEN; Russian: Михаи́л Миха́йлович Бахти́н, IPA: [mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin]; 16 November [O.S. 4 November] 1895 – 7 March [2] 1975) was a Russian philosopher and literary critic who worked on the philosophy of language, ethics, and literary theory.
Faschingsschwank aus Wien (Carnival Scenes from Vienna or Carnival Jest from Vienna), Op. 26, is a solo piano work by Robert Schumann. He began composition of the work in 1839 in Vienna. He wrote the first four movements in Vienna, and the last on his return to Leipzig.
Garcia has authored several poetry collections and works in literary and cultural criticism. [2]In 1996, Garcia was the recipient of a Philippine National Book Award, winning Best in Literary Criticism for his work on Philippine Gay Culture: The Last Thirty Years (1996).
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).