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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    Image Sound # of chords Quality 50s progression: ... Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: ... 56 sequence:

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    0 1 5 6 t 0 3 5: Just Major chord: Play ... Major sixth ninth chord ("6 add 9", [2] Nine six, [3] 6/9) Play ...

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Therefore, a seven-note diatonic scale allows seven basic diatonic triads, each degree of the scale becoming the root of its own chord. [1] A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression may also have more than three notes, such as in the case of a seventh chord (V 7 is ...

  6. Category:Chord progressions - Wikipedia

    en.wikipedia.org/wiki/Category:Chord_progressions

    The following 5 files are in this category, out of 5 total. 'Satch Boogie' pitch axis progression.png 566 × 176; 21 KB "April in Paris" refrain.png 552 × 173; 29 KB

  7. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    Slash notation in 4/4 with a slash on each beat under a i7 iv7-V7 chord progression in B ♭ minor. Slash notation is a form of purposefully vague musical notation which indicates or requires that an accompaniment player or players improvise their own rhythm pattern or comp according to the chord symbol given above the staff.

  8. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    The chord progression from "Lie" by Dream Theater. The transition to the guitar solo in Dream Theater's "Lie" is built on Pitch Axis Theory. [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B.

  9. vi–ii–V–I - Wikipedia

    en.wikipedia.org/wiki/Vi–ii–V–I

    I−vi−ii−V is one of the most common chord progressions in jazz. [5] The progression is often used [6] as a turnaround, occurring as the last two bars of a chorus or section. [7] The I−vi−ii−V chord progression occurs as a two-bar pattern in the A section of the rhythm changes, [8] the progression based on George Gershwin's "I Got ...