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Richard Cosway RA (5 November 1742 – 4 July 1821) was a leading English portrait painter of the Georgian and Regency era, noted for his miniatures. He was a contemporary of John Smart , George Engleheart , William Wood, and Richard Crosse .
Portrait of John Dyer Collier, circa 1785, by George Engleheart; watercolour on ivory; V&A Museum no. P.76-1910 [1] Victoria and Albert Museum, London. George Engleheart (1750–1829) was an English painter of portrait miniatures, and a contemporary of Richard Cosway, John Smart, William Wood, and Richard Crosse.
Richard Crosse (1742–1810) was a leading English painter of portrait miniatures. He was a contemporary of John Smart , George Engleheart , Richard Cosway and William Wood . Family and home
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Modern miniature painting respects many of the principles originally set by Hilliard. [14] When the Society was founded, the maximum size for a miniature was 12 by 10 inches. Today, the permitted size varies depending on shape and medium, but paintings (including frame and mount) should have a diameter of no more than 4.5 inches.
His mother, Ann Bone, was a cousin of George Engleheart, 'miniature-painter to the king.' Thomas became Engleheart's pupil, and was employed by the royal family in copying miniatures by his master and Richard Cosway. He also copied in miniature size many of the portraits by Sir Joshua Reynolds in the royal collection. His original and unsigned ...
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In the 1980s and 1990s, car and trucks were well proportioned and had interesting features, but models were a bit too heavy on details that could have been rendered more delicately or accurately. Chrome spears along the sides of 1950s cars, for example, were sometimes too thick and unrealistically embedded in grooves in the die-cast body.