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The Clarinet Concerto is a composition for solo clarinet and orchestra by the Finnish composer Magnus Lindberg.It was written for the Finnish clarinetist Kari Kriikku.The piece was given its world premiere in Finlandia Hall, Helsinki, on September 14, 2002 by Kari Kriikku and the Finnish Radio Symphony Orchestra under the direction of Jukka-Pekka Saraste. [1]
The Clarinet Concerto ends with a fairly elaborate coda in C major that finishes off with a clarinet glissando – or "smear" in jazz lingo." The piece is written in a very unusual form. The two movements are played back-to-back, linked by a clarinet cadenza .
Sonata for Clarinet and Piano in E ♭ major, Op. 167 Brooks Smith, piano 1957, DL 9941 Schumann: Fantasiestücke, Op. 73 Joel Rosen, piano 1953, DL 9744 Stravinsky: Three Pieces for Solo Clarinet 1951, DL 9570 Szalowski: Sonatina for Clarinet and Piano Brooks Smith, piano 1957, DL 9941 Templeton: Pocket-size Sonata No.1 for Clarinet and Piano
The classical composer Leopold Koželuch left around 400 compositions. Among these there are about thirty symphonies, twenty-two piano concertos, including a concerto for piano four-hands, arguably one of the best examples of this rare genre, two clarinet concertos, twenty-four violin sonatas, sixty-three piano trios, six string quartets, two oratorios (one of which, Moses in Ägypten, has ...
A clarinet concerto is a concerto for clarinet; that is, a musical composition for solo clarinet together with a large ensemble (such as an orchestra or concert band). Albert Rice has identified a work by Giuseppe Antonio Paganelli as possibly the earliest known concerto for solo clarinet; its score appears to be titled "Concerto per il Clareto ...
Carl Nielsen's Concerto for Clarinet and orchestra, op. 57 [D.F.129] was written for Danish clarinetist Aage Oxenvad in 1928. The concerto is presented in one long movement, with four distinct theme groups.
As It Fell Upon a Day for voice, flute, and clarinet (1923) Movement for String Quartet (1924) Symphony for organ and orchestra (1924) Grohg; ballet (1925, revised 1932) Music for the Theatre for orchestra (1925) Two Choruses ("The House on the Hill," "An Immortality") for chorus (1925) Piano Concerto for piano and orchestra (1926)
The music unfolds in fits and starts, with the clarinet breaking loose like some avant-garde jazz improviser, and the orchestra erupting in dense chords that sound like drive-by whooshes." [2] Richard Fairman of the Financial Times similarly wrote, "At times the concerto feels like a musical, out-of-body experience."
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