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At its first concert, conducted by Beecham, Kell was the soloist in Mozart's Clarinet Concerto. [5] The following year Beecham founded the Royal Philharmonic Orchestra and as the Philharmonia in its early days played few concerts, working mostly in the recording studio, Kell was able to serve as principal in both orchestras, as did the horn ...
The Clarinet Concerto was one of the three items chosen for the gala concert in Copenhagen celebrating the 150th anniversary of Carl Nielsen's birth. Accompanied by Danmark Radio's Symphony Orchestra conducted by Juanjo Mena , the soloist was the Finnish clarinetist Olli Leppäniemi (born 1980).
A clarinet concerto is a concerto for clarinet; that is, a musical composition for solo clarinet together with a large ensemble (such as an orchestra or concert band). Albert Rice has identified a work by Giuseppe Antonio Paganelli as possibly the earliest known concerto for solo clarinet; its score appears to be titled "Concerto per il Clareto ...
The Clarinet Concerto is a composition for solo clarinet and orchestra by the Finnish composer Magnus Lindberg.It was written for the Finnish clarinetist Kari Kriikku.The piece was given its world premiere in Finlandia Hall, Helsinki, on September 14, 2002 by Kari Kriikku and the Finnish Radio Symphony Orchestra under the direction of Jukka-Pekka Saraste. [1]
Chamber music: 1977: Soliloquy: for clarinet, 2 violins, viola and cello: adapted from the Clarinet Concerto; also for clarinet and orchestra Chamber music: 1993: Fanfares to Music: for brass ensembles (on- and off-stage) Chamber music: 1993: Phantasmagoria (on Themes from The Ghosts of Versailles) for cello and piano: Chamber music: 1993 ...
Hoddinott was prolific, writing symphonies, sonatas, and concertos: his style evolved over a long and distinguished career, from the neo-classicism of the Clarinet Concerto to a brand of serialism which allowed a tonal framework to the structure, combining a penchant for dark textures and brooding harmonies similar to that of another British ...
The music unfolds in fits and starts, with the clarinet breaking loose like some avant-garde jazz improviser, and the orchestra erupting in dense chords that sound like drive-by whooshes." [2] Richard Fairman of the Financial Times similarly wrote, "At times the concerto feels like a musical, out-of-body experience."
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