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Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
Gypsy Songs: voice and piano: 7 songs after poems by Adolf Heyduk; includes "Songs My Mother Taught Me" 105: 54/1,4: 1880: Dva valčíky: 2 Waltzes in A and D major: 2 violins, viola and cello: arrangement of B. 101 nos. 1 and 4 106: 57: 1880: Sonata F dur pro housle a klavír: Sonata in F major: violin and piano: 107: 32/7,10, 13,2,3: 1880 ...
Opus 12: Sonata No. 1 for violin and piano (1943) Opus 13: Children's Songs after I.L. Peretz for singer and piano (1943) Opus 14: String Quartet No. 3 (1944) Opus 15: Sonata No. 2 for violin and piano (1944) Opus 16: Children's Notebook No. 1 for piano (1944) Opus 17: Jewish Songs after Shmuel Halkin (1944) Opus 18: Piano Quintet (1944)
Year Op. M.S. catalog [1] Title Key Instruments Notes 1795 c. 1: Carmagnola con variazioni (Carmagnola variations) A: Violin / Guitar: 14 Variations on the French Hymn "Carmagnole"
Colourful Songs: for voice and piano: words by German poets in translation by Stanisław Barącz 1. words by Karl Bulcke 2. words by Alfons Paquet 3. words by Emil Faktor 4. words by Anna Ritter 5. words by Ricarda Huch: Chamber music: M23: 23: 1910: Romans D-dur: Romance in D major: for violin and piano: dedicated to violinist Paweł ...
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The romances, scored for violin and piano, are written in three movements: Andante molto; Allegretto; Leidenschaftlich schnell; The first romance has Romani-inspired pathos amidst lyrical melodies. [5] In the final section, Schumann references the main theme from her husband Robert Schumann's first violin sonata. [6]