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A guitarist can input any single-note melody line (no chords) and the software can generate, as a learning tool, a Lenny Breau or Joe Pass style chord solo with chords that the user can actually reach that are shown on a screen window of a guitar fretboard. The user can specify just how close the chords must be, e.g., "within five frets".
The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I". In the key of C, this progression is "d minor, G7, C Major". With tritone substitution, this progression would become "d minor, D â™ 7, C Major," which contains chromatic root movement. When performed by the bass player, this chromatic root ...
Miscellaneous solo piano compositions (Rachmaninoff) Mists (Xenakis) Moment exotique; Morceaux de fantaisie; Morceaux de salon, Op. 10 (Rachmaninoff) List of solo piano compositions by Wolfgang Amadeus Mozart; Music for Piano (Cage) Music for the Dance No. 2; Music of Changes; Musica ricercata
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
12 Variations in Eâ™ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
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