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A bow maker typically uses between 150 and 200 hairs from the tail of a horse for a violin bow. Bows for other members of the violin family typically have a wider ribbon, using more hairs. White hair generally produces a smoother sound and black hair (used mainly for double bass bows) is coarser, producing a rougher sound.
Gustave BAZIN (1871 - 1920) second son of Charles-Nicolas Bazin II, was the first violin maker in the family. His students included Amèdée Dieudonne, Marcel Vatelot and Charles Enel. René BAZIN (1906 - 1982) son and pupil of Charles-Louis (for bow making), pupil of Dieudonné (for instrument making). He was more attracted by violin making.
The Universal Dictionary of Violin & Bow Makers is a widely cited reference work providing information on approximately 9,000 violin makers. The work is based on the extensive notes of violinist and composer William Henley (1874-1957).
For much of the 20th century, the Hill workshop employed England's best bow makers, who created bows renowned for character and consistency. Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools.
In the widely cited book Universal Dictionary of Violin & Bow Makers, William Henley calls Tubbs "this champion" and places him alongside Tourte, Peccatte and Voirin. [clarification needed] String players generally regard his bows as extremely desirable, and will often go to great lengths to obtain one and collectors may pay huge amounts to own ...
John Dodd (1752 in London – 1839 in Richmond, Surrey) was a British bowmaker.He was considered to be the greatest English bowmaker before and until James Tubbs. [1]He was a gunlock fitter and then a money scale maker before turning to bow making.
Local violin maker creates a violin from scratch to submit for entry to the American Federation of Violin and Bow Makers.
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. [1] [2]
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