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Parts of a violin bow. The bow can be held vertically and the screw of the bow placed firmly against a string either at the location of a fingered note or at some other point. The string can then be plucked with the right hand and the screw of the bow can be simultaneously dragged up or down the string.
A cello bow. In music, a bow (/ b oʊ /) is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it.It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound.
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest.
Célestin Émile Clasquin (Mirecourt, 1875 - 1929) was a French bow maker / archetier. Son of a violin maker, Clasquin was born in 1875 and served his apprenticeship under Charles Nicolas Bazin. He joined the Jérôme Thibouville-Lamy firm before establishing his own workshop in Paris in 1918. He also worked for some other violinmakers and ...
Performance styles vary, but the instrument may be played either one note at a time, with the instrument held with one hand and bowed with the other, as in instruments of the violin family, or it may be laid down and played with a bow in each hand, in a style reminiscent of the closely related hammered dulcimer. Some players will also hold two ...
In 1762, The name Hill was built on a long family history of violin and bow making, dates back under the luthier Joseph Hill. [2] Founded by William Ebsworth Hill at Wardour Street in 1880 and moved to 38 New Bond Street in 1887, ten years later relocated to 140 New Bond Street. They built workshops in Hanwell in 1887, and extended them in 1904.
"His bows are exquisite, showing mastery in technical as well as stylistic aspects. His son, Heinrich Richard gen. Knopf (1860–1939) (known as Henry) became an excellent bow & violin maker who established what was to become a very important and successful shop in New York City (from 1879–1931)."
In the widely cited book Universal Dictionary of Violin & Bow Makers, William Henley calls Tubbs "this champion" and places him alongside Tourte, Peccatte and Voirin. [clarification needed] String players generally regard his bows as extremely desirable, and will often go to great lengths to obtain one and collectors may pay huge amounts to own ...
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