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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century ...
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Pyramid of Skulls is an oil on canvas painting produced in 1901. The subject matter was depicted in a pale light against a dark background. The composition is notable for the closeness of the skulls to the viewer. [3] Paul Cézanne. Three Skulls, 1902–1906, graphite and watercolor on paper. Art Institute of Chicago.
Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene. [1] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.
Self Portrait c. 1875. This is an incomplete list of the paintings by the French painter Paul Cézanne.The artistic career of Cézanne spanned more than forty years, from roughly 1860 to 1906, and formed a bridge between Impressionism and Post-Impressionism.
L'Estaque, Melting Snow is a c. 1871 oil-on-canvas painting by French Post-Impressionist artist Paul Cézanne.It shows a view from the outskirts of L'Estaque, a small village near Marseille, with a steep hillside covered in a drift of melting snow underneath a foreboding dark grey sky.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
This period was defined by more saturated colors, less stable compositions, and a more clear division of forms into smaller parts, as dictated by Cézanne's thick brushstrokes. He created his forms with discrete patches of intense color, developing his compositions by considering the elements of the paintings as geometric shapes imbued with ...