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E.G. Kight (born January 17, 1966) is an American Chicago blues singer, guitarist and songwriter. She has worked with many musicians, including George Jones, Jerry Lee Lewis, Conway Twitty, Merle Haggard, Luther Allison, Hubert Sumlin, Pinetop Perkins, Taj Mahal, B.B. King, and Koko Taylor.
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
The book's third edition was released in April 2003 and was edited by Vladimir Bogdanov, Chris Woodstra and Stephen Thomas Erlewine.. The book's back cover touts that the book contains ratings for close to 9,000 album and 935 musician biographies.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
Subsequently, the early Delta blues (as well as other genres) were extensively recorded by John Lomax and his son Alan Lomax, who crisscrossed the southern U.S. recording music played and sung by ordinary people, helping establish the canon of genres known today as American folk music.
A kite is a tethered heavier-than-air or lighter-than-air craft with wing surfaces that react against the air to create lift and drag forces. [2] A kite consists of wings, tethers and anchors. Kites often have a bridle and tail to guide the face of the kite so the wind can lift it. [3]
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions.
"Blues fiddle" [1] is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin".
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