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The 'major' alteration is usually superfluous, as a key description missing an alteration is invariably assumed to be major. In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur). In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts).
Its key signature has no flats or sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is:
[9] [10] The key note or tonic of a piece in a major key is a semitone above the last sharp in the signature. [11] For example, the key of D major has a key signature of F ♯ and C ♯, and the tonic (D) is a semitone above C ♯. Each scale starting on the fifth scale degree of the previous scale has one new sharp, added in the order shown. [10]
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
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More often, pieces in a minor mode that have A-flat's pitch as tonic are notated in the enharmonic key, G-sharp minor, because that key has just five sharps as opposed to the seven flats of A-flat minor. In some scores, the A-flat minor key signature in the bass clef is written with the flat for the F on the second line from the top. [nb 1]
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