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Ivodne Galatea has released 3 albums of Guitaret music "The Ambitions of Curiosity", "The Geography of Thought" and "The Archaeology of Knowledge". Ivodne also contributed to the Guitaret Album. Saïd Zarrabi, the keyboardist in Les quitriches, a French beat band from Stuttgart, Germany and Quitriche-en-Auvergne, France doubles on Guitaret
Hohner's main Chord is known as the Hohner 48, because it plays 48 chords. Hohner from the 1930s to the late 1960s also produced the Polyphonia No. 8, which played 36 blow-only chords, in three rows. The concept failed and is often frowned upon by professional 48 chord players.
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
Learn to edit; Community portal; ... Gospel songs (23 C, 315 P) Σ ... Pages in category "Gospel music" The following 15 pages are in this category, out of 15 total.
WOW Gospel 2005 is a double CD gospel music compilation album in the WOW series. Released on January 25, 2005, it has thirty-one tracks. Released on January 25, 2005, it has thirty-one tracks. The album cover pays tribute to Washington, D.C.
1984: Ten New Songs With Kids...For Kids About Life; 1985: Then He Said Sing; 1987: Welcome Back Home; 1990: Hymn Classics (Bill, Gloria & Michael) Compilations. 1978: Classics (Impact Records) 1978: The Very Best Of The Very Best (Word Records) 1980: The Very Best Of The Very Best...For Kids; 1992: Best Of The Gaithers...Live! 1994: Oh Happy ...
His music career got started in 2012, with the release of Anthony Brown & Group TherAPy, that released on August 21, 2012, by Tyscot Records. [5] It was produced by Brown and Justin Savage. The album was the breakthrough release on the Billboard charts, having placements at No. 130 on The Billboard 200 , No. 3 on the Gospel Albums , and at No ...
Writing for Pitchfork, Stephen Thomas Erlewine scored this release a 7.4 out of 10, calling War's folk punk on this album "a more expansive, considered sound, blending various strains of American roots music into a quietly idiosyncratic style" and praising the emotionality, humor, and mix of "wry reticence and bruised confession" in the lyrics. [1]