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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Pope Paul VI, whose bullet-shaped tiara is one of the most unusual in design, was the last pope to wear a papal tiara (though any of his successors could, if they wished, revive the custom). Most surviving tiaras are on display in the Vatican, though some were sold off or donated to Catholic bodies.
The camelaucum (Greek: καμιλαύκιον, kamilaukion), the headdress that both the mitre and the papal tiara stem from, was originally a cap used by officials of the Imperial Byzantine court. "The tiara [from which the mitre originates] probably developed from the Phrygian cap, or frigium, a conical cap worn in the Graeco-Roman world. In ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The pope's hat may refer to: Papal tiara, a crown worn by popes from the 8th century to the mid–20th century; Mitre, the traditional, ceremonial headdress of bishops; Zucchetto, a small skullcap worn by clerics; Camauro, made from red wool or velvet with white ermine trim, usually worn during the winter
Pope Benedict XVI in papal vestments: The mitre, pallium, fanon, and the chasuble. The Pope wears the pallium over his chasuble when celebrating Mass. The pallium is a circular band of fabric about two inches wide, from which two twelve-inch-long pendants hang down, one in the front and one in back.
Ars subtilior (Latin for 'subtler art') is a musical style characterized by rhythmic and notational complexity, centered on Paris, Avignon in southern France, and also in northern Spain at the end of the fourteenth century. [1]
Papal Solemn Mass celebrated by Pope John XXIII in St. Peter's Basilica in the early 1960s. Note the presence of several assistant priests and ministers, and the mitre and the papal tiaras placed on the altar. The Pope's Pontifical High Mass, when celebrated with full solemnity, was even more elaborate.