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Northern Kentucky Symphony Orchestra, Metropolitan Opera Chorus, Zinka Milanov Musical artist Richard Albert Hundley (September 1, 1931 – February 25, 2018) was an American pianist and composer of art songs for voice and piano .
downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable. Emphasis on standard classical and traditional repertoire. IPA transcriptions available for every German, French, Italian and Latin song in the index. Supplementary information on more than 250 songs. ART SONG CENTRAL
"Kentucky Babe" Adam Geibel Richard Henry Buck 1946 with Russ Case Orchestra & The Satisfiers [237] "Kewpie Doll" Sid Tepper Roy C. Bennett Arranged by Joe Reisman: 1958 with Ray Charles featuring instrumental and vocal backings from Mitchell Ayres Orchestra & Ray Charles Singers [10] [213] "Killing Me Softly with Her Song" Charles Fox: Norman ...
His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions. This list is based upon the Thematisch-Bibliographisches Werkverzeichnis , a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003.
Voice and Instruments 2, for female voice, clarinet, cello and double bass (1974) Voice, Violin and Piano, for female voice, violin, and piano (1976) Arrangement of Weill/Brecht Alabama Song, for bass, voice ad lib, 2 saxophones, trumpet, trombone, marimba, and piano (1984) For Stefan Wolpe, for choir and 2 vibraphones (1986)
This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's original 1977 catalogue.
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements.