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Cool jazz is a style of modern jazz music inspired by bebop and big band [1] that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music.
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". [2] Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: Chet Baker Sings (1954) and It Could Happen to You (1958). Jazz historian Dave Gelly described the promise of Baker's early career ...
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City , as a result of the mixture of the styles of predominantly white jazz musicians and black bebop musicians, and it ...
Robert Lrod Dorough (December 12, 1923 – April 23, 2018) was an American bebop and cool jazz vocalist, pianist, and composer. [2] [3] He became famous as the composer and performer of songs in the TV series Schoolhouse Rock!, as well as for his work with Miles Davis, Blossom Dearie, and others.
Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm ...
Some bebop and post-bop musicians were lukewarm to the avant-garde explorations of the 1960s and rejected the electronically based, pop-influenced sounds of jazz fusion. Most prominent among these was the drummer Art Blakey , whose Jazz Messengers group was a stylistic incubator for like-minded younger musicians.