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His holy symbol is a pair of clasped hands. Allitur was first detailed for the Dungeons & Dragons game in the World of Greyhawk Fantasy Game Setting (1983), by Gary Gygax. [2] Allitur is depicted as a Flan man riding a horse, Keph, who never tires. Allitur's realm is Empyrea, The City of Tempered Souls. Empyrea sits on the edge of a cold, clear ...
Pathfinder Chronicles: Guide to the River Kingdoms: February 2010 64 978-1-60125-203-6: Paperback PZO9217E Elaine Cunningham, Steve Kenson, China Miéville, Chris Pramas, et al. Pathfinder Chronicles: NPC Guide: March 2010 64 978-1-60125-219-7: Paperback PZO9219 Hal Maclean, Jeff Quick, John Wick, et al. Pathfinder Chronicles: Classic Treasures ...
Tharizdun's "free" holy symbol is a "black sun with variegated rays". His second holy symbol of an inverted ziggurat indicates that the work of those who bound him would be overturned, according to Gygax.
The legion of fictional deities in the World of Greyhawk campaign setting for the Dungeons & Dragons fantasy roleplaying game covers an extensive range of spheres of influence, allowing players to customize the spiritual beliefs and powers of their characters, and as well as giving Dungeon Masters a long list of gods from which to design evil temples and minions.
Gardiner's sign list is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs.
An attribute is a piece of data (a "statistic") that describes to what extent a fictional character in a role-playing game possesses a specific natural, in-born characteristic common to all characters in the game.
In the 4th edition version of the Forgotten Realms, she is the sole survivor of the Untheric pantheon, and now spends most of her time as the goddess of chromatic dragons. Although Enlil, Gilgeam, and Nanna-Sin return for the 5th edition, Tiamat appears to have made no move to engage with them, preferring her draconic role and caring little ...
These symbols were believed to possess protective and transformative powers, particularly when used in rituals, amulets, and tomb inscriptions. [4] Similarly, in Mesopotamia , the cuneiform script was employed in incantations and rituals designed to invoke divine powers, demonstrating an early link between written language and magical practices.