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Lord Invader released a cover of the song on the Folkways label in 1955, titled "Labor Day (Jump in the Line)". [1] His rendition reached mento star Lord Flea, who in turn recorded a version based on Lord Invader's interpretation. [1] It was released on August 1, 1958, by Capitol Records. The song was recorded by Lord Fly [2] and Joseph Spence ...
Four of his songs appeared in the 1988 film Beetlejuice, including "Day-O" and "Jump in the Line (Shake, Senora)". Belafonte next starred in a major film in the mid-1990s, appearing with John Travolta in the race-reverse drama White Man's Burden (1995); [ 70 ] and in Robert Altman 's jazz age drama Kansas City (1996), the latter of which ...
"Shake Señora" ("Jump in the Line") is a song by American rapper and singer Pitbull from his sixth studio album Planet Pit (2011). The song features vocals from American R&B singer and rapper T-Pain and Jamaican reggae artist Sean Paul, and was produced by Clinton Sparks and DJ Snake.
Lord Flea was the stage name of Norman Byfield Thomas (1931/32 or 1933/34 [note 1] – 18 May 1959), a Jamaican mento musician credited with "helping start the calypso craze in U.S." [1] With his band The Calypsonians, Flea toured America throughout the late 1950s, and released an album on the Capitol label.
"Jump" is a song by American rock band Van Halen. It was released in December 1983 as the lead single of their sixth studio album, 1984 . It is Van Halen's most successful single, reaching number 1 on the US Billboard Hot 100 . [ 1 ]
"Jump Up" – Byron Lee and the Dragonaires "Audio Bongo" (an electronic music version of a musical theme for Dr. No) "Under the Mango Tree" – Diana Coupland "Twisting with James" (a version of "Dr. No's Fantasy" unused in the film) "Jamaica Jazz" – (unused in the film, an instrumental of "Jump Up")
Tracy Chapman and Luke Combs' cross-generational pairing on 'Fast Car' during the 2024 Grammy Awards has given Chapman's 1988 song another boost on the charts.
Belafonte at Carnegie Hall is a live double album by Harry Belafonte issued by RCA Victor. [5] It is the first of two Belafonte Carnegie Hall albums, and was recorded on April 19 and April 20, 1959.