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Aipan art drawn on the entrance of a house. Aipan (Kumaoni: Ēpaṇ) is an established-ritualistic folk art originating from Kumaon in the Indian Himalayas. The art is done mainly during special occasions, household ceremonies and rituals. Practitioners believe that it invokes a divine power which brings about good fortune and deters evil. [1]
Yashodhar Mathpal (born 1939) is an Indian archaeologist, painter, curator, Gandhian and Rock art conservationist. He is most known for his study of cave art, especially in Bhimbetka rock shelters, Barechhina (Uttarakhand) and Kerala. He founded the Folk Culture Museum (Lok Sanskriti Sangrahalaya) in Bhimtal, Nainital district, in 1983. [1]
Aipan art – the traditional folk art form for exterior and interior decoration in Kumaoni household of Uttarakhand have characteristic symbol representations related to religious Pooja ceremonies or Sanskar ceremonies connected with birth, birthdays, Upnayan (Yagyopaveet), wedding etc.
[1] [2] The museum exhibits various aspects of the calamity and the folk culture of Uttarakhand through paintings, sculptures, and other artworks by artist Surendra Pal Joshi. [3] [4] [2] [5] It also includes an art gallery encouraging younger generation of artists to exhibit modern and contemporary art.
In 2000, the new state of Uttarakhand was carved out of Uttar Pradesh, including Kumaon. The people of Kumaon are known as Kumaonis and speak the Kumaoni language. Kumaon is home to a famous Indian Army regiment, the Kumaon Regiment. The hill town Nainital is its administrative centre and this is where the Uttarakhand high court is located. [8]
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Likhai (Hindi for 'writing') refers to the ancient woodcarving tradition of Uttarakhand, a North Indian mountain state. [1] Given the rapid urbanization in the region and migration of artisans to larger cities for more lucrative jobs, the craft is said to be on the verge of "vanishing".
it is considered one of the most popular folklore of Kumaon. it has been performed in Kumaon for about thousand years and passed down orally from generation to generation in family of traditional bards, Mohan Upreti brought the epic ballad on the regional and national theaters, in 1980 Sangeet Natak Akademi of India published book on the epic ballad of Rajula-Malushahi.