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I'm Still Here is a 2010 American mockumentary [3] musical parody film directed by Casey Affleck, and written by Affleck and Joaquin Phoenix.The film follows the real life of Phoenix from the announcement of his retirement from acting through his transition into a career as a hip hop artist. [4]
I'm Still Here was released in France on 15 January 2025 by StudioCanal. [24] In the United States, the film received a one-week awards-qualifying run in November 2024 and received a limited theatrical release in New York City and Los Angeles on 17 January 2025, before expanding to more cities on 14 February. [25]
I'm Still Here, a 2010 album by Mindy McCready "I'm Still Here", a song from Stephen Sondheim's musical Follies "I'm Still Here" (Vertical Horizon song) "I'm Still Here (Jim's Theme)," a 2002 song by John Rzeznik "I'm Still Here," a song by The Notations "I'm Still Here," the final, hidden track on the 1991 album Woodface by Crowded House "I'm ...
It is widely predicted that I’m Still Here will be nominated for Best International Feature Film at the 97th Academy Awards. Now, Torres is in a front-row seat to earn a Best Actress nomination too.
"I'm Still Here (Jim's Theme)" is a song written by the Goo Goo Dolls frontman John Rzeznik for the Disney film Treasure Planet. The song was released by Rzeznik as a solo track, which is autobiographical, loosely inspired by Rzeznik’s own life growing up in Buffalo, New York. It was a moderately successful pop hit.
Director Walter Salles had ties to the political family in 'I'm Still Here.' Their story reveals the collective journey of a country. 'I'm Still Here' became unexpectedly timely with Brazil's ...
As much as “I’m Still Here” is the story of this family and the devastating state-sanctioned crime that was inflicted upon them, it is the story of this lovely house (one where Salles ...
"I'm Still Here" was written during the out of town tryout for Follies in Boston, when Sondheim decided that another song ("Can That Boy Foxtrot") was not working. This song had been written as a throwaway song for a minor character, but Yvonne De Carlo was a high-profile name in the cast, and the creative team felt she deserved a more substantial song.