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Ishibashi Foundation (kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター)) the artist observed a kugo in the Shōsōin and references the ancient subject of a beauty under a tree [8] 197.5 centimetres (6 ft 5.8 in) by 94.0 centimetres (3 ft 1.0 in)
The Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター) opened in Machida in 2015 as a research facility for the Artizon Museum. Focused upon the research, storage, and preservation and restoration of the collection, since 2017 school groups have been welcomed, there are also lectures and workshops for the public, and a library open to researchers.
Ishibashi Kazunori (石橋 和訓, 1876–1928) was a Japanese painter active in both yōga and nihonga. His name can also be read Ishibashi Wakun and he used the art name Gyūgagen. [1] [2] Ishibashi is perhaps best known for Woman Reading Poetry which is currently on display at the Shimane Art Museum.
Kurume City Art Museum (久留米市美術館, Kurume-shi Bijutsukan) opened as the successor to the Ishibashi Museum of Art in Kurume, Fukuoka Prefecture, Japan in 2016.It forms part of the Ishibashi Culture Center, which opened in 1956, alongside the studio of yōga painter Sakamoto Hanjirō (坂本繁二郎), relocated from Yame in 1980, and Shōjirō Ishibashi Memorial Museum, dedicated to ...
Reminiscence of the Tempyō Era (天平の面影, Tempyō no omokage) is a 1902 painting by yōga artist Fujishima Takeji (1867–1943). Inspired by nostalgia for the Tempyō era [ 1 ] and, like his Butterflies and covers for the literary magazine Myōjō , an influential exemplar of Meiji romanticism , it has been designated an Important ...
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Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
Simple figural representations, as well as botanical, architectural, and geometric designs are found on Jōmon period pottery and Yayoi period (1000 BC – 300 AD) dōtaku bronze bells. Mural paintings with both geometric and figural designs have been found in numerous tumuli dating to the Kofun period and Asuka period (300–700 AD).