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However, New England was the site of the development of preprinted designs on burlap, indicating a shift in the status of rug hooking, at least for some. While preprinted embroidery patterns had long existed, it was Philena Moxley of Lowell, Massachusetts who first developed a business stamping embroidery and rug hooking designs about 1868-1871.
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
A latch hook for rugmaking. Traditional rug hooking is a craft in which rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage. [2]
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
The name 'soumak' may plausibly derive from the old town of Shemakja in Azerbaijan, once a major trading centre in the Eastern Caucasus. [1] Other theories include an etymology from Turkish 'sekmek', 'to skip up and down', meaning the process of weaving; or from any of about 35 species of flowering plant in the Anacardiaceae or sumac family, such as dyer's sumach (Cotinus coggygria), used to ...
In gabbeh usually bright colors, such as yellow and red, are used. Although large fields of solid color are used in gabbeh designs, the color is variegated (the color varies throughout the rug, with the appearance of differently colored zones). Gabbehs are made of natural, handspun wool yarn and all the colors are created with natural plant dye.
At around 1690, a new kind of rya emerged that mimicked foreign Baroque floral patterns, woven by the daughters and wives of burghers in Stockholm and later in the country. [3] This new rya had shorter piles and closer rows of knots, which made the rug lighter. [3] Additionally, the pile side now faced up to display the design. [3]
Lillian Burke, standing left, with short bob haircut, shown with 648 sq. ft. hooked Savonnerie rug, reputed to be the largest ever created. Lillian Burke (October 4, 1879 – April 13, 1952) was an American artist, teacher, musician and occupational therapist chiefly known for developing a hooked-rug cottage industry in the village of Chéticamp, Cape Breton.
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