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  2. File:Beginners Book Of Songs.pdf - Wikipedia

    en.wikipedia.org/wiki/File:Beginners_Book_Of...

    English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    For subdominant chords, in the key of C major, in the chord progression C major/F major/G7/C major (a simple I /IV/V7/I progression), the notes of the subdominant chord, F major, are "F, A, and C". As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression.

  6. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  7. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.

  8. List of songs recorded by Shreya Ghoshal - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_recorded_by...

    Song: Composer(s) Writer(s) Co-artist(s) Devdas: 1 "Bairi Piya" Ismail Darbar: Nusrat Badr: Udit Narayan: 2 "Silsila Ye Chahat Ka" 3 "Chalak Chalak Pyar Se" Udit Narayan, Vinod Rathod: 4 "Morey Piya" Sameer Anjaan: Jaspinder Narula: 5 "Dola Re Dola" Nusrat Badr Kavita Krishnamurthy, K.K. Desh Devi: 6 "Ek Phool Mein" Mehboob: Mohammed Salamat 7 ...

  9. Block chord - Wikipedia

    en.wikipedia.org/wiki/Block_chord

    A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]

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