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A full set, as the name implies, is a complete set of uilleann pipes. This would be a half set with the addition of three regulators. This would be a half set with the addition of three regulators. These are three closed pipes, similar to the chanter, held in the stock.
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The most common are the two-voiced bagpipes. The three-voiced bagpipes have an additional small drone pipe called slagarche (pronounced slagar'-che) (Macedonian: слагарче). They can be found in certain parts of Macedonia, most of them in Ovče Pole (Macedonian: Овчеполието). [7]
Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands.
The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian zampogna ).
In modern Uilleann pipes, the player will move from the lower to the upper register by stopping the chanter momentarily while increasing the bag pressure, causing the reed to double-tone. However, in the pastoral pipe, the same effect can be achieved by increasing the bag pressure while playing a suitable gracenote.
Séamus Ennis (Irish: Séamas Mac Aonghusa; 5 May 1919 – 5 October 1982) was an Irish musician, singer and Irish music collector. [1] He was most noted for his uilleann pipe playing and was partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and ...
"Patsy" Touhey was born 26 February 1865, near Loughrea, County Galway, Ireland.According to Captain Francis O'Neill in his seminal work "Irish Minstrels and Musicians" Touhey was the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James (b. 1839) and his uncle Martin, who were considered accomplished players.