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Ocean Vuong (born Vương Quốc Vinh, Vietnamese: [vɨəŋ˧ kuək˧˥ viɲ˧]; born 14 October 1988) is a Vietnamese American poet, essayist, and novelist. He is the recipient of the 2014 Ruth Lilly /Sargent Rosenberg Fellowship from the Poetry Foundation , [ 2 ] 2016 Whiting Award , [ 3 ] and the 2017 T. S. Eliot Prize . [ 4 ]
Night Sky with Exit Wounds is a 2016 collection of poetry by Vietnamese American poet and essayist Ocean Vuong. [1] The book won the T. S. Eliot Prize in 2017 [2] —which made him the youngest winner of the award at the time at 29 years old, as well as the second-ever debut poet to receive it. [3] [4] The book also won the Whiting Award in ...
The poem may have been inspired by James Cook's second voyage of exploration (1772–1775) of the South Seas and the Pacific Ocean; Coleridge's tutor, William Wales, was the astronomer on Cook's flagship and had a strong relationship with Cook.
Ocean Vuong is a Vietnamese-American writer who has received numerous awards and nominations. His three separate poems – Prayer for the Newly Damned, Telemachus, and Self Portrait as Exit Wounds – respectively won the Stanley Kunitz Memorial Prize, the Chad Walsh Poetry Prize, and the Pushcart Prize before being published as a complete collection of poems.
Crossing the Bar" is an 1889 elegiac poem by Alfred, Lord Tennyson. The narrator uses an extended metaphor to compare death with crossing the "sandbar" between the river of life, with its outgoing "flood", and the ocean that lies beyond death, the "boundless deep", to which we return.
Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer ...
Sea Surface full of Clouds" is a poem from the second, 1931, edition of Wallace Stevens's first book of poetry, Harmonium. It was first published in 1924, so it is restricted by copyright. However, brief parts of it are quoted here as fair use, and the whole poem is available elsewhere on the Internet. [1]
This poem came to be published uncredited as a children's rhyme and hymn in many 19th century magazines and books, sometimes attributed to Ebenezer Cobham Brewer, Daniel Clement Colesworthy, or Frances S. Osgood, but the earliest publications of it clearly are those of Carney. [b] A later final verse read: