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"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. [1] The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death.
"An Irish Airman Foresees his Death" "Men improve with the Years" "The Collar-Bone of a Hare" "Under the Round Tower" "Solomon to Sheba" "The Living Beauty" "A Song" "To a Young Beauty" "To a Young Girl" "The Scholars" "Tom O'Roughley" "The Sad Shepherd" "Lines written in Dejection" "The Dawn" "On Woman" "The Fisherman" "The Hawk" "Memory" "Her ...
The poem was initially published in The Irish Times on 8 September 1913, under the title "Romance in Ireland (On reading much of the correspondence against the Art Gallery)". It was later included in the pamphlet Nine Poems and the collection Responsibilities (both 1914) as "Romantic Ireland".
The Tower is a book of poems by W. B. Yeats, published in 1928. The Tower was Yeats's first major collection as Nobel Laureate after receiving the Nobel Prize in 1923. It is considered to be one of the poet's most influential volumes and was well received by the public.
A Vision: An Explanation of Life Founded upon the Writings of Giraldus and upon Certain Doctrines Attributed to Kusta Ben Luka, privately published in 1925, is a book-length study of various philosophical, historical, astrological, and poetic topics by the Irish poet William Butler Yeats.
This is a list of all works by Irish poet and dramatist W. B. (William Butler) Yeats (1865–1939), winner of the 1923 Nobel Prize in Literature and a major figure in 20th-century literature. Works sometimes appear twice if parts of new editions or significantly revised.
The U.S. Air Force member who set himself on fire outside the Israeli Embassy in Washington, D.C., in an apparent protest against the Israel-Hamas war has died, according to a U.S. official.
The initial social and ideological distance between Yeats and some of the revolutionary figures is portrayed in the poem when, in the first stanza, the poem's narrator admits to having exchanged only "polite meaningless words" (6) with the revolutionaries prior to the uprising, and had even indulged in "a mocking tale or gibe" (10) about their political ambitions.