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"I'm Just Wild About Harry" is a song written in 1921 with lyrics by Noble Sissle and music by Eubie Blake for the Broadway show Shuffle Along. "I'm Just Wild About Harry" was the most popular number of the production, which was the first financially successful Broadway play to have African-American writers and an all African-American cast. [4]
Noble Sissle photo taken by Carl Van Vechten, 1951. Noble Lee Sissle (July 10, 1889 – December 17, 1975) [1] was an American jazz composer, lyricist, bandleader, singer, and playwright, best known for the Broadway musical Shuffle Along (1921), and its hit song "I'm Just Wild About Harry
"I'm just wild about Harry" – 1948 U.S. presidential slogan of Harry S. Truman, taken from a 1921 popular song title written by Noble Sissle and Eubie Blake "Pour it on 'em, Harry!" – 1948 U.S. presidential campaign slogan of Harry S. Truman "Give Em Hell, Harry!" – Harry Truman (After a man shouted it during one of his whistle stop ...
The film, as well as the musical, included the song "I'm Just Wild About Harry", which was written in 1921 for the Broadway show Shuffle Along, with lyrics by Noble Sissle and music by Eubie Blake. [8] Musical numbers were recorded in stereophonic sound, but released to theaters with conventional monaural sound. Recent home-video releases ...
President Harry Truman chose the show's song "I'm Just Wild About Harry" for his campaign anthem. [2] [31] The story in Shuffle Along also presented a romance between two Black characters that was presented as equal to that of a white romance in other Broadway shows. "Negroes had never been permitted romance before on the stage" and there was ...
No, the tabloid headlines about all the behind-the-scenes mishesgoss on Olivia Wilde’s Don’t Worry Darling isn’t hurting ticket sales. The Imax Live Experience advance screening for the ...
It also introduced hit songs such as "I'm Just Wild About Harry" and "Love Will Find a Way". [13] Rudolf Fisher insisted that Shuffle Along "had ruined his favorite places of African-American sociability in Harlem" due to the influx of white patrons. Its reliance on "stereotypical black stage humor" and "the primitivist conventions of cabaret ...
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