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June Deniece Williams (née Chandler; born June 3, 1950) [1] [2] [3] is an American singer. She has been described as "one of the great soul voices" by the BBC. [4]She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis).
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams, written by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis, because his last U.S. top 10 hit had been 1963’s "What Will Mary Say" and his last U.S. #1 hit had been 1957's "Chances Are." [3]
Gonna Take a Miracle: The Best of Deniece Williams: 85 — Columbia: 2000 Love Songs — — 2001 The Collection — — Connoisseur/Sony Music 2016 Black Butterfly: The Essential Nicey — — Big Break "—" denotes a recording that did not chart or was not released in that territory.
Showbird performed “Let’s Hear It For the Boy” by Deniece Williams, while Ship belted "Almost Paradise" by Mike Reno and Ann Wilson. Woodpecker stumped the panelists by singing Bonnie Tyler ...
Showbird. Song: “Let’s Here It For the Boy,” by Deniece Williams Panel guesses: Yvette Nicole Brown, Taraji P. Henson Clue: Music box playing dance music. “Now, that’s more my vibe ...
The most successful version of "It's Gonna Take a Miracle" was the 1982 cover by R&B and gospel singer Deniece Williams. Her version went to number 1 on the R&B chart for two weeks [4] and reached number 10 on the Billboard Hot 100. [5]
Johnny Mathis and Deniece Williams recorded "You're All I Need to Get By" for their 1978 duet album That's What Friends Are For. It was the follow-up to their U.S. #1 hit "Too Much, Too Little, Too Late".
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke.