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200 West Street is the global headquarters of the Goldman Sachs investment banking firm in the Battery Park City neighborhood of Manhattan in New York City. The building is a 749-foot-tall (228 m), 44-story building located on West Street , between Vesey and Murray Streets in Lower Manhattan .
The Rodin Studios, also known as 200 West 57th Street, is an office building at Seventh Avenue and 57th Street in Midtown Manhattan in New York City.It was designed by Cass Gilbert in the French Gothic style and built from 1916 to 1917.
The Indo-American Arts Council (IAAC) is an American non-profit cultural organization that promotes Indian theatre, art, film, fashion, music, dance, and literature in the United States. The Council was established in 1998 in New York City and is headed by Aroon Shivdasani. [ 1 ]
The Asian Cultural Council (ACC) is a non-profit organization dedicated to advancing international cultural exchange between Asia and the U.S. and between the countries of Asia through the arts. Founded by John D. Rockefeller III in 1963, ACC has invested over $100 million in grants to artists and arts professionals representing 16 fields and ...
The United States is welcomed in the Indo-Pacific region and needs to update its approach to have stronger presence there to counter China's influence, said the top American diplomat to Tokyo.
The two nations announced 2007, the 50th anniversary year of the Indo-Japan Cultural Agreement, as the Indo-Japan Friendship and Tourism-Promotion Year, holding cultural events in both the countries. [ 66 ] [ 67 ] One such cultural event is the annual Namaste India Festival, which started in Japan over twenty years ago and is now the largest ...
Japan Society is a 501(c)(3) nonprofit organization, formed in 1907 to promote relations between the United States and Japan. [4] Its headquarters was designed by Junzo Yoshimura and opened in 1971 at 333 East 47th Street near the United Nations. [5]
Lecture programs in New York are held at the New York University Institute of Fine Arts and elsewhere. The programs and publications of the Society were valuable in the 1970s, when ukiyo-e studies and, for that matter, Edo period art history had scarcely entered the academic mainstream either in the United States or Japan. [citation needed]