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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
"Keep It in the Middle of the Road" is a song written by J.P. Pennington and Sonny LeMaire, and recorded by American country music group Exile. It was released in December 1989 as the first single from the album Still Standing .
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
"Why Don't We Do It in the Road?" is a song by the English rock band the Beatles, released on their 1968 double album The Beatles (also known as "the White Album"). Short and simple, it was written [ 2 ] [ 3 ] and sung by Paul McCartney , [ 4 ] [ 5 ] but credited to Lennon–McCartney .
Hati may refer to: . Hati Hróðvitnisson, a wolf in Norse mythology; Hati (moon), one of Saturn's moons Hati, Iran, a village in Khuzestan Province, Iran; Hati District, an administrative subdivision of Khuzestan Province, Iran
The lyrics specifically refer to Key's memories of being in high school and meeting friends who lived closer to the beach, where they would be rambunctious late into the evening. The song was not inspired by Florida State Road A1A, sometimes referred to as Ocean Avenue, but rather Ocean Boulevard further south in Atlantic Beach. [11]
"Key to the Highway" is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard.