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Ellipsis is the narrative device of omitting a portion of the sequence of events, allowing the reader to fill in the narrative gaps. Aside from its literary use, the ellipsis has a counterpart in film production. It is there to suggest an action by simply showing what happens before and after what is observed.
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
If an ellipsis ends the sentence, then there are three dots, each separated by a space, followed by the final punctuation (e.g. Hah . . . ?). In some legal writing, an ellipsis is written as three asterisks, *** or * * *, to make it obvious that text has been omitted or to signal that the omitted text extends beyond the end of the paragraph.
Philosophers/critics who have discussed story structure include Aristotle, Horace, Aelius Donatus, Gustav Freytag, Kenneth Thorpe Rowe, Lajos Egri, Syd Field, and others. Some story structures are so old that the originator cannot be found, such as Ta'zieh. Often in order to sell a script, the plot structure is made into what is called a treatment.
A major grower said this week it was abandoning its citrus growing operations, reflecting the headwinds Florida's signature crops are facing following a series of hurricanes and tree diseases.
According to the New York Times, here's exactly how to play Strands: Find theme words to fill the board. Theme words stay highlighted in blue when found.
When writing about fiction, keep the following in mind. Write from a real-world perspective: the principal frame of reference is always the real world, not a fictional world in which the story occurs. Use a balance of primary and secondary sources: both are necessary for a real-world perspective.