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A puzzle canon, riddle canon, or enigma canon is a canon in which only one voice is notated and the rules for determining the remaining parts and the time intervals of their entrances must be guessed. [44] "The enigmatical character of a [puzzle] canon does not consist of any special way of composing it, but only of the method of writing it ...
Canon ad duodecimam: Confitebor tibi Domine for 3 voices; Canon. Ter voce ciemus: Thebana bella for 6 voices: unknown: Summer 1770 89a: 73i "Canon for 4 instruments" — April 1770 228: 515b "Ach! zu kurz" Double canon for 4 voices: unknown: before 24 June 1787 229: 382a "Sie ist dahin" Canon for 3 voices: Ludwig Heinrich Christoph Hölty (1748 ...
In 2012, the UK-based Co-Operative Funeralcare compiled a list of the most popular, classical, contemporary and religious music across 30,000 funerals. Canon in D placed second on the Classical chart, behind Edward Elgar's "Nimrod". [4] The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31]
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Music improved sleep quality with increased exposure regardless of differences in the demographic, music genre, duration of treatment, and exposure frequency. Dickson suggests "listening to music that you find relaxing, at the same time, every night for at least three weeks".
"November Rain" Use Your Illusion I: Guns N' Roses "Without You" Del James: The video for "November Rain" is loosely based on the short story "Without You". Axl Rose wrote the introduction to James's 1995 collection The Language of Fear, which included "Without You". [157] [158] "The Odyssey" The Odyssey: Symphony X: The Odyssey: Homer
Perpetual canon – Canon where the voices sing the same melody in unison, starting at different times, creating a harmonious overlap that can be repeated indefinitely. A catch is a subtype of this canon. Prolation canon – Canon where the same melody is performed at different speeds or note values by different voices.
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons.